Welcome back to your regularly scheduled Weekend Update on Synthetix.FM. I've been on a little break and have now returned with more rockin good times from the world where the 80s still rules.
There are going to be some minor changes to the updates from now on. Due the massive, and growing, amount of music being released I've had to make a decision about whether I try to cover absolutely everything relevant or whether I focus more on the music that stands out from the pack. The latter has been my choice as this site is always going to be a quality over quantity affair. When I review an EP or an album I want it to be the full Synthetix Experience and the only way I could cover more music is to radically change how I write about the music I review and that's something I don't really want to entertain.
This will result in a slight restructuring as my weekly reviews are going to be at the most two per week and the Weekend Updates will be subject to more filtering. Some EPs are also going to be covered in the Weekend Updates but the focus of them will still be giving a priority to rockin new producers on the scene. I want to make Synthetix.FM 100% reflective of the best of the 80s inspired synth scene and I hope this new formula makes the Synthetix Experience and even more refined and relevant to my readers.
Without further ado let's get rockin with your brand new Weekend Update on Synthetix.FM!
Professor Zonic Zynth keeps on teasing his radical new tunes primarily through his YouTube channel but he seems to be coming around to letting his adoring fans now own some of his music legitimately. His recent piece 'Speedin' Bully' is purely golden Zonic Zynth magic with the melodies and production are glowing with 80s authenticity. This is available to buy on his Bandcamp page through the link in the player and be sure to check out 'Ashley's Theme', which the Professor has also made available for purchase.
Some seriously radical sounds from Dreamwave Dave now and his new track 'Temp: Mastered Version' which I'm assuming is a 'work in progress' title. This producer loves pushing new ideas and his music into new directions, with this track we find more of a distilling of his sounds into a huge elements that remain uncomplicated but full of 80s brilliance.
Mulperi is back and rockin the scene with his very impressive new experience 'Rainbow In The Night'. The delicate formations of this composition are orchestrated to perfection with warm of each melody casting mesmerising spells over the listener. This gentle and thoughtful tracks displays a great deal of growth and refinement in Mulperi's music.
Nowtro is new producer introduced to me by Synthetix faithful Craig Packman and I'm very happy he did. Nowtro's latest track 'Neon Marathon' has absolutely glorious melodies and a structure that delights in every second of it's duration. The music is augmented by a slight modernity but this just emphasises the 80s magic of the piece even more. A superb track from this rockin new producer.
It's always a red-letter-day when there's a new Amazing Police track shared to soundcloud and 'Feel That Promise' exemplifies why this producer is one of the most exciting on the scene. The Amazing Police sound pushes a dreamy synthwave vibrancy while the soundscape becomes punctuated by exciting and unpredictable passages. Totally rockin in every way imaginable.
One producers who's sounds are always right on point for authenticity is Palisded and her new EP VHS Dreams gives an insight into the creative mind of this producers 80s sounds. The production lends itself to the bleakness of the tracks making a Cold War era electro synth atmosphere drive the melodies and emotions. Each track has an 80s minimalism to it which makes the elements very pronounced and allows Palisded to create emotional vistas that remain succinct throughout. 'Midnight Madness' is definitely one of the stand out tracks on this release with it's early 80s grimness contrasted by the high energy percussion. Unfortunately this EP isn't available for purchase until the 7th of October when it will be up on iTunes, Juno and Beatport but I'll be sure to mention this release again when it's finally out. Until then these beautiful sounds will have to suffice on soundcloud in their full form although 'Midnight Madness' is currently available for FREE download.
'Pulse 80' is a new producer of rockin 80s sounds from Russia and he's proving to be a very exciting talent. His soundcloud has numerous 80s inspired pieces well worth spending some time with while his new track 'Midnight Escort' finds him in a more ambient and soundtrack themed space. For only being two minutes long this track certainly packs in a great deal. Its the kind of piece you could imagine taking five minutes plus to fully realise it's potential but even in this short, possibly work-in-progress for it's stunning to behold.
Poko Cox keeps on rockin hard with his latest song 'Electricity'. This artist continues to develop his own sound space with a personality all it's own and this song is possibly his strongest yet. High energy rhythms and vastly entertaining instrumentations really push the Rad Meter into the danger zone. This song is off his forthcoming Beginning EP which I'm champing at the bit to experience.
Gina Calabrese is a totally rockin new producer making emotional charged 80s inspired synth. Her new track 'Shadow In The Dark' brings to mind an ethereal romantic soundtrack which follows a lush path of emotional passages. The melodic refrain in this track combined with the haunting ambience makes for a wonderfully intimate soundscape. Loaded with melodic synthcerity 'Shadow In The Dark' is one delightful journey.
Sternrekorder's back with more golden tones of classic 80s synth in his new experience which is, I think a live jam he's recorded and shared. I'm always in rapturous love with the way Sternrekorder fabricates his pieces and to hear this magic in live session is totally k-rad to the max. The narrative is rich and full of surprises, which is to always be expected with this fine producer.
More hot new producer's keep making the scene and Steel Sky definitely knows how to make totally rockin 80s synth gold. His latest track entitled 'Mirage' is a pounding anthem with smoothly constructed melodies and a soundscape that forms majestically from glowing remnants of civilisations past and futures yet to be told. Many thanks to Lothar Poeller for enlightening me to this kick arse new producer.
One of the most exciting things to happen in the 80s inspired synth scene over the last few weeks was the return of early synthwave pioneer D/A/D. I've been a huge fan of this composer's sounds over the years and his triumphant return is to be applauded. His latest piece, 'Orion Beach' is absolutely beautiful from it's synth melodies to it's shredding guitars. This artist has always had a insightful understanding of how to make the 80s rock and it warms my heart to get to experience new musical frontiers from the imagination of Day After Discovery.
The long build up to the release of Arc Neon's next opus is almost over. To tease this release even further is this totally rockin new and heavily stylised preview for 'Blood Sport 2092. Arc Neon's new work has an incredibly detailled thematic they've built around the experience which is sure to provide us with huge amounts of thrills and excitement.
To finish of this Weekend Update on Synthetix.FM we have a spectacular new compilation from the rockers at New Retro Wave. This release is packed with incredible new tracks from the scenes most kick arse producers including Rain Sword, MegaDrive, Starforce, Perturbator, Highway Superstar, Silenx, Mulitpac (!!!) and many, many more. This is a must-own release and is definitely one of the best compilation releases of 2013. All this rockin action and it's FREE!! Get on it and rock it ASAP!
That wraps up this week's Weekend Update on Synthetix.FM. I'll be back with some more killer tunes from the 80s inspired synth scene during the week ahead. Until then, as always, stay 80s and keep on rockin!
Saturday, June 15, 2013
Tuesday, June 4, 2013
Perturbator Becomes The Sexualizer
Perturbator continues to go from strength to strength in his musical creations. Following on from his Nocturne City EP from last year (reviewed here on Synthetix.FM) he's since ventured into providing sounds for the Hotline Miami video game. His tunes on this game's soundtrack has most certainly given Perturbator a much wider audience, and his name has since become synonymous with the synthwave scene as an iconic producer and has lent his talents to numerous releases from other producers over the last six months.
With his latest EP the Perturbator experience has been seriously kicked up a few notches. Perturbator's collaborative works with others have always been spectacular affairs and this has been taken into all new realms of pleasure and engagement throughout Sexualizer's chapters. The progression of his songwriting techniques are undeniable and his use of narrative throughout Sexualizer is stunning to experience.
The plot of Sexualizer delves into the world of Jimmy, a porn star who's drug addictions lead to acts of violence and ends in a collapse of mind and body that brings in ideas of manipulation by higher powers. The story begins at the end with the staggering opening chapter entitled 'Meet Jimmy'
After Jimmy's mental breakdown and institutionalisation the story is retold from broken shores of fractured insanity. Adam McNab of Le Cassette fame provides one of the most wonderful vocal performances I'm yet to hear from this modern age of 80s inspired music. The tortured lyrics soar in a stylistic combination of Tony Hadley and Iva Davies but with the McNab soul reverberating through each syllable. 'Meet Jimmy' is a scenic synthscape into a mind trying to piece things together but the rawness of emotions make each chord's tender nuances actualise with ever greater impact. Sweeping melodies are delicately infused with poignancy that reflects the emotive vocals in deep, limpid pools.
The high energy of the previous high life begins in the second chapter, the title track, 'Sexualizer'. The usual darkness of Perturbator's high energy synth sounds aims at a brighter and more vibrant texture this time round. There is most certainly elements of drama through the action but the crispness of the melodies provide a genuinely uplifting feeling, totally befitting this part of the story. Enlisting the always rockin Flash Arnold on this track has given the scene a salaciously seamy rock-edge which completes this experience in an exemplary manner.
Things move into more of stark panic in track three 'Angel Dust'. The rapid pace of heightened amphetamine madness is pumps with a furious vigour. This chapter moves into dreamlike state midway through that brings to mind much of the what is and isn't reality plot before charging into the opening refrain with renewed energy and purpose.
'Miami Disco' (previously heard on the Hotline Miami soundtrack') is the fourth chapter of Sexualiser and it brings in an all new context to it's existence in this release. Sounds of exotic nightlife and untold sexual pleasures flash in freeze framed moments as reality strobes in and out. The fantasy of Jimmy's life becomes blur of between lucidity and hallucination. Melodies are again uplifting and beautifully arranged while the bassline hints at more sinister elements at play.
The final act of Sexualizer is 'Perverted Precinct' is another collaborative piece with additional synths provided by the ever wonderful Tommy. This final track takes the final breakdown and incarceration of Jimmy to it's penultimate climax. The slow paced syncopated rhythm section allows to the synth leads to take off into new dimensions with brilliant colours contrasting the bleak surrounds. Definitely the most introspective piece on the EP, the music explores more intimate machinations of Jimmy's existence. The underlying tenderness of the man he used to be is contrasted by complete hopelessness of his situation. The man is broken, but a faint memory glimmers through the shimmering synths like a flickering flame that could be snuffed out at any second or conversely set a powder keg to explode.
Throughout the Sexualizer EP the songwriting and attention to detail is what has really struck a key with me. Perturbator's dimensional qualities have multiplied in this release, each track feels massive and full of ideas and energies, but these elements change and develop within each track in a way I've not experienced previously in his other releases. Once again the collaborative works on here are really spectacular. As I've said many times before, the artists who work together with other producers and refine their sounds by learning from each other is what will make for the more enriching experiences in the 80s inspired synth scene, which certainly evident throughout Sexualizer.
The Perturbator sound is still evolving with each new release, where previous experiences were most certainly dark by design, Sexualizer removes that darkness and replaces it with new directions, while still remaining loyal the integrity of this overtly dark story. He has once again proven why he is one of the most exciting producers in the scene and with his new experiments and inspirations it feels like the road ahead of Perturbator is an ever expanding horizon of possibilities.
The Sexualizer EP is presented on Aphasia Records' Bandcamp page here at a name-your-own-price point. These five tracks are all must-have experiences for any devotee of quality 80s synth sounds but 'Meet Jimmy' on it's own is one of the single most beautiful pieces of 80s inspired music created thus far. I can't recommend this release highly enough, just for this one song, but with the other four very impressive experiences also included I'd be remiss to not recommend this marvellous EP as highly as possible as a Synthetix Reference Experience.
With his latest EP the Perturbator experience has been seriously kicked up a few notches. Perturbator's collaborative works with others have always been spectacular affairs and this has been taken into all new realms of pleasure and engagement throughout Sexualizer's chapters. The progression of his songwriting techniques are undeniable and his use of narrative throughout Sexualizer is stunning to experience.
The plot of Sexualizer delves into the world of Jimmy, a porn star who's drug addictions lead to acts of violence and ends in a collapse of mind and body that brings in ideas of manipulation by higher powers. The story begins at the end with the staggering opening chapter entitled 'Meet Jimmy'
After Jimmy's mental breakdown and institutionalisation the story is retold from broken shores of fractured insanity. Adam McNab of Le Cassette fame provides one of the most wonderful vocal performances I'm yet to hear from this modern age of 80s inspired music. The tortured lyrics soar in a stylistic combination of Tony Hadley and Iva Davies but with the McNab soul reverberating through each syllable. 'Meet Jimmy' is a scenic synthscape into a mind trying to piece things together but the rawness of emotions make each chord's tender nuances actualise with ever greater impact. Sweeping melodies are delicately infused with poignancy that reflects the emotive vocals in deep, limpid pools.
The high energy of the previous high life begins in the second chapter, the title track, 'Sexualizer'. The usual darkness of Perturbator's high energy synth sounds aims at a brighter and more vibrant texture this time round. There is most certainly elements of drama through the action but the crispness of the melodies provide a genuinely uplifting feeling, totally befitting this part of the story. Enlisting the always rockin Flash Arnold on this track has given the scene a salaciously seamy rock-edge which completes this experience in an exemplary manner.
Things move into more of stark panic in track three 'Angel Dust'. The rapid pace of heightened amphetamine madness is pumps with a furious vigour. This chapter moves into dreamlike state midway through that brings to mind much of the what is and isn't reality plot before charging into the opening refrain with renewed energy and purpose.
'Miami Disco' (previously heard on the Hotline Miami soundtrack') is the fourth chapter of Sexualiser and it brings in an all new context to it's existence in this release. Sounds of exotic nightlife and untold sexual pleasures flash in freeze framed moments as reality strobes in and out. The fantasy of Jimmy's life becomes blur of between lucidity and hallucination. Melodies are again uplifting and beautifully arranged while the bassline hints at more sinister elements at play.
The final act of Sexualizer is 'Perverted Precinct' is another collaborative piece with additional synths provided by the ever wonderful Tommy. This final track takes the final breakdown and incarceration of Jimmy to it's penultimate climax. The slow paced syncopated rhythm section allows to the synth leads to take off into new dimensions with brilliant colours contrasting the bleak surrounds. Definitely the most introspective piece on the EP, the music explores more intimate machinations of Jimmy's existence. The underlying tenderness of the man he used to be is contrasted by complete hopelessness of his situation. The man is broken, but a faint memory glimmers through the shimmering synths like a flickering flame that could be snuffed out at any second or conversely set a powder keg to explode.
Throughout the Sexualizer EP the songwriting and attention to detail is what has really struck a key with me. Perturbator's dimensional qualities have multiplied in this release, each track feels massive and full of ideas and energies, but these elements change and develop within each track in a way I've not experienced previously in his other releases. Once again the collaborative works on here are really spectacular. As I've said many times before, the artists who work together with other producers and refine their sounds by learning from each other is what will make for the more enriching experiences in the 80s inspired synth scene, which certainly evident throughout Sexualizer.
The Perturbator sound is still evolving with each new release, where previous experiences were most certainly dark by design, Sexualizer removes that darkness and replaces it with new directions, while still remaining loyal the integrity of this overtly dark story. He has once again proven why he is one of the most exciting producers in the scene and with his new experiments and inspirations it feels like the road ahead of Perturbator is an ever expanding horizon of possibilities.
The Sexualizer EP is presented on Aphasia Records' Bandcamp page here at a name-your-own-price point. These five tracks are all must-have experiences for any devotee of quality 80s synth sounds but 'Meet Jimmy' on it's own is one of the single most beautiful pieces of 80s inspired music created thus far. I can't recommend this release highly enough, just for this one song, but with the other four very impressive experiences also included I'd be remiss to not recommend this marvellous EP as highly as possible as a Synthetix Reference Experience.
Saturday, June 1, 2013
Synthetix Weekend Update
Another totally kick arse compilation has been released to celebrate the first anniversary of Telefuture Records. This label has been instrumental in bringing to light many talented producers in the last year including scene favourites like Garth Knight, Makeup & Vanity, Le Cassette, Collins, Arcade High and Rolly Mingwald, amongst others.
One: A Telefuture Compilation presents all new tracks from these artists and many more at a 'name-your-own-price' point on their Bandcamp page here. Make sure you grab a copy and support this fantastic label.
Now, let's rock the latest Synthetix Weekend Update!
First up is a totally killer new track from Final DJ's. 'Flash In The Night' is a return to the classic 80s synth sounds for this duo, flavoured with a modern dancefloor energy. This is one half of their latest EP, with the their piece 'Los Angeles' providing the other side. This FREE EP is available through the link the player, so get it switched on ASAP.
Foreign Blade is building the momentum for his new release Electric Dusk rapidly by sharing two tracks from it this week. 'Night Life' was my favourite of the two, but Crystal City is also very impressive. This smooth twilight synth piece is perfectly executed with an understated ambiance that is tremendously engaging. I'm definitely looking forward to the release of Electric Dusk, which is at this stage still un-dated.
Fantastisizer is back with a moody new morsel of synthtacular sounds with his latest 'The Dark Sun'. Minimalist in presentation but also full of character and personality I love the narrative that builds throughout this piece. It's thought provoking and delightfully introspective from beginning to end.
DigitalNativeDance is spreading his creative wings into some seriously sensual synthscapes with his latest experience 'Ocean Drive-Through'. The languid nature of this track is completely enthralling, time begins to slow and the sights and sounds of the seaside begin to permeate through. Sublimely orchestrated with every element working together in perfect symbiosis. This is currently available for FREE download currently.
Keeping on the same track, but moving into more urban surrounds is 'Take The D-Train' from the always rockin Amazing Police. Melodies are are vibrant and colourful against a buckled down funk bassline. The mid point break down and consequent rebuilding is absolutely k-rad to the max.
Another rocker who's got the funky flow this week is Rutger Megahertz and his teaser for a new track called 'Tension'. The sparse synthscape reverberates with sexual tensions and teasing glimpses. The experience is still to be fully realised, but this two minute teaser is still available for FREE download.
Time for some high energy synth pop and Sady K Diskostar's totally rockin new song 'Ich Bin Nicht Wie Du'. Even being in german language this song is full of nocturnal adventures and sensual promises with a huge percussion track and synths that soar majestically with the vocals. This is the first track from the upcoming album '1981', which I hope is going to be released soon.
The Boy & Sister Alma are back with a superb new rockin track 'Tom's Cruise'. This is one hell of a ride with a totally killer guitar track and, once again, a hugely catchy chorus. The songwriting is beautiful throughout this experience and displays a great knowledge of understanding what makes 80s style pop so wonderful. 'Tom's Cruise' is currently available for FREE download.
It's time to welcome Hemendex into the Synthetix.FM family with their new song 'Faith In War'. This band from Croatia do a radical mix of New Order and earlier UK synth pop styles, and also have an excellent message to their music. There's a lot to love about the Hemendex experience and I'll be sure to be giving them lots more love on Synthetix.FM in the future. 'Faith In War' is also available for FREE download. Be sure to check out their other rockin tunes on soundcloud too.
Bending the concepts of reality ever so slightly is the new SPF5Ø track 'フェティッシュ' which loosely translates as 'Fetish'. This vampiric cacophony of synth sounds is accented by spoken word samples and I do believe an obscure Billy Idol sample. It's riveting all the way through and it's elements of ChipTune rawness add even more intrigue. Available for FREE download at this time
While we're in the twilight zone of 80s inspired synth it's a good time to take a trip to 'Golden Pond' with Toasters & Dreams. This unsettling piece swirls synths around pointed samples from the movie On Golden Pond, while percussive drama and flourishes from other parts of the cosmos complete the soundscape. It's an uncommon combination that Toasters & Dreams manages to pull off exceptionally well. Available for FREE download, also.
I must say, I do have a penchant for the odd bit of vaporwave. It's not a style I listen to a lot, but I find it provides a delightfully engaging alternate 80s dimension. Sgreyes has taken the vaporwave pill with his new track 'Provincial Fashion' and his hazy dreamlike loops make for an interesting adventure. Sounds obtain much more clarity than the usual vaporwave fare and this adds a much more defined and solid nature to the soundscape. Stellar work, as always, from Sgreyes.
Taking the on-ramp to excitement is the rockin new track from RF.Extreme 'Speed Daze'. The powerhouse drum track compliments the slow motion rhythm melodies incredibly well, the experience is constructed with the right amount of questions and answers throughout the narrative. It's simplicity belies it's energy and that's what makes it rock so very hard.
We're already up to Version 4 of Lost Years new experience 'The Other Side Of You'. The last couple of revisions really expanded upon the initial ideas and through this current incarnation we're told a much deeper story. The Lost Years soundscape is always so precisely engineered, this piece really makes that pinpoint sharp dynamic of the Lost Years experience a priority.
A rare treat from Professor Zonic Zynth as he has shared his track 'Contact' as also being a FREE download. This producer is near the top of my short list of producers who I really think need to release a full album, which will hopefully occur sooner rather than later. Getting back to 'Contact' we're taken on much more ambient space themed excursion that hypnotises with it's melodic refrains and dazzles with it's otherworldliness.
Our final piece in this week's Weekend Update is a compendium of free tracks previously released by synth romance raconteur Rain Sword. This is a must-have release for all fans of quality 80s inspired synth music and goes a great way to solidify Rain Sword as one of the true artistes in the field. These eleven tracks encompass many and varied genres of vintage sound and all are filled to overflowing with golden neon 80s magic. Pick this up through the player or click here to go directly to Rain Sword's Bandcamp page.
That does us for another rockin Weekend Update. I'll be back during the week with more good times and great rock'n'roll but there won't be a Weekend Update next weekend, I'll be having some time away but will be back with more radical action the following week.
'Til then, stay 80s and keep on rockin.
One: A Telefuture Compilation presents all new tracks from these artists and many more at a 'name-your-own-price' point on their Bandcamp page here. Make sure you grab a copy and support this fantastic label.
Now, let's rock the latest Synthetix Weekend Update!
First up is a totally killer new track from Final DJ's. 'Flash In The Night' is a return to the classic 80s synth sounds for this duo, flavoured with a modern dancefloor energy. This is one half of their latest EP, with the their piece 'Los Angeles' providing the other side. This FREE EP is available through the link the player, so get it switched on ASAP.
Foreign Blade is building the momentum for his new release Electric Dusk rapidly by sharing two tracks from it this week. 'Night Life' was my favourite of the two, but Crystal City is also very impressive. This smooth twilight synth piece is perfectly executed with an understated ambiance that is tremendously engaging. I'm definitely looking forward to the release of Electric Dusk, which is at this stage still un-dated.
Fantastisizer is back with a moody new morsel of synthtacular sounds with his latest 'The Dark Sun'. Minimalist in presentation but also full of character and personality I love the narrative that builds throughout this piece. It's thought provoking and delightfully introspective from beginning to end.
DigitalNativeDance is spreading his creative wings into some seriously sensual synthscapes with his latest experience 'Ocean Drive-Through'. The languid nature of this track is completely enthralling, time begins to slow and the sights and sounds of the seaside begin to permeate through. Sublimely orchestrated with every element working together in perfect symbiosis. This is currently available for FREE download currently.
Keeping on the same track, but moving into more urban surrounds is 'Take The D-Train' from the always rockin Amazing Police. Melodies are are vibrant and colourful against a buckled down funk bassline. The mid point break down and consequent rebuilding is absolutely k-rad to the max.
Another rocker who's got the funky flow this week is Rutger Megahertz and his teaser for a new track called 'Tension'. The sparse synthscape reverberates with sexual tensions and teasing glimpses. The experience is still to be fully realised, but this two minute teaser is still available for FREE download.
Time for some high energy synth pop and Sady K Diskostar's totally rockin new song 'Ich Bin Nicht Wie Du'. Even being in german language this song is full of nocturnal adventures and sensual promises with a huge percussion track and synths that soar majestically with the vocals. This is the first track from the upcoming album '1981', which I hope is going to be released soon.
The Boy & Sister Alma are back with a superb new rockin track 'Tom's Cruise'. This is one hell of a ride with a totally killer guitar track and, once again, a hugely catchy chorus. The songwriting is beautiful throughout this experience and displays a great knowledge of understanding what makes 80s style pop so wonderful. 'Tom's Cruise' is currently available for FREE download.
It's time to welcome Hemendex into the Synthetix.FM family with their new song 'Faith In War'. This band from Croatia do a radical mix of New Order and earlier UK synth pop styles, and also have an excellent message to their music. There's a lot to love about the Hemendex experience and I'll be sure to be giving them lots more love on Synthetix.FM in the future. 'Faith In War' is also available for FREE download. Be sure to check out their other rockin tunes on soundcloud too.
Bending the concepts of reality ever so slightly is the new SPF5Ø track 'フェティッシュ' which loosely translates as 'Fetish'. This vampiric cacophony of synth sounds is accented by spoken word samples and I do believe an obscure Billy Idol sample. It's riveting all the way through and it's elements of ChipTune rawness add even more intrigue. Available for FREE download at this time
While we're in the twilight zone of 80s inspired synth it's a good time to take a trip to 'Golden Pond' with Toasters & Dreams. This unsettling piece swirls synths around pointed samples from the movie On Golden Pond, while percussive drama and flourishes from other parts of the cosmos complete the soundscape. It's an uncommon combination that Toasters & Dreams manages to pull off exceptionally well. Available for FREE download, also.
I must say, I do have a penchant for the odd bit of vaporwave. It's not a style I listen to a lot, but I find it provides a delightfully engaging alternate 80s dimension. Sgreyes has taken the vaporwave pill with his new track 'Provincial Fashion' and his hazy dreamlike loops make for an interesting adventure. Sounds obtain much more clarity than the usual vaporwave fare and this adds a much more defined and solid nature to the soundscape. Stellar work, as always, from Sgreyes.
Taking the on-ramp to excitement is the rockin new track from RF.Extreme 'Speed Daze'. The powerhouse drum track compliments the slow motion rhythm melodies incredibly well, the experience is constructed with the right amount of questions and answers throughout the narrative. It's simplicity belies it's energy and that's what makes it rock so very hard.
We're already up to Version 4 of Lost Years new experience 'The Other Side Of You'. The last couple of revisions really expanded upon the initial ideas and through this current incarnation we're told a much deeper story. The Lost Years soundscape is always so precisely engineered, this piece really makes that pinpoint sharp dynamic of the Lost Years experience a priority.
A rare treat from Professor Zonic Zynth as he has shared his track 'Contact' as also being a FREE download. This producer is near the top of my short list of producers who I really think need to release a full album, which will hopefully occur sooner rather than later. Getting back to 'Contact' we're taken on much more ambient space themed excursion that hypnotises with it's melodic refrains and dazzles with it's otherworldliness.
Our final piece in this week's Weekend Update is a compendium of free tracks previously released by synth romance raconteur Rain Sword. This is a must-have release for all fans of quality 80s inspired synth music and goes a great way to solidify Rain Sword as one of the true artistes in the field. These eleven tracks encompass many and varied genres of vintage sound and all are filled to overflowing with golden neon 80s magic. Pick this up through the player or click here to go directly to Rain Sword's Bandcamp page.
That does us for another rockin Weekend Update. I'll be back during the week with more good times and great rock'n'roll but there won't be a Weekend Update next weekend, I'll be having some time away but will be back with more radical action the following week.
'Til then, stay 80s and keep on rockin.
Tuesday, May 28, 2013
A Double Shot From Future City Records
With a great stable of artists that is continually growing, Future City Records have fast become one of my favourite labels over the years. The diversity of their talent is one of their stronger characteristics and with two brand new releases this past week, that diversity is certainly being expanded even further.
Peter Robinson - Midnight Prophet
First up is a beautiful new two track EP from the creative imagination of Peter Robinson. His previous EP Theme From Manta Ray (reviewed on Synthetix.FM here) displayed his talent for fabricating gentle and picturesque synth journeys. In his latest release those journeys continue, into new spaces and times.
The titular 'Midnight Prophet' begins the proceedings and the tender melodies begin in earnest, dancing and flickering in beautifully organic way. Sounds are light and breezy, the muted percussion complements these delicately orchestrated synthscapes which entrance and charm. It's this serenely cast palette of aural delight which really personifies the Peter Robinson sound.
The B side to Midnight Prophet is the equally divine 'Lost In A Dream'. Adding some more esoteric progressions and keeping the synths formed from aural gossamer itself allows for a story to be told that brings a vivid surrealism to the elements. I love the way the bassline holds the track together while synth melodies and details form their own imaginative realities, borne from a colourful subconscious and allowed to bend their own identities into fantastical new forms.
This is wonderfully crafted EP which deserves your attention and imagination, let Peter Robinson guide you through his dreams crafted as music soon and often.
PowercuT - Paradise
Even though the soundscape provides a huge differential between PowercuT and Peter Robinson there is a common tie that binds these two releases in that their both cut from the cloth of a hazy dream time, although from a very different place.
PowercuT is a producer whom works in the field of loops and reimaginings of vintage tracks, thereby adding new flavours and personalities to them. One of my favourite artists in the field is Laserdisc Visions, who's work I've been an ardent follower of over the years. The PowercuT style is a different brand of vaporwave however, and makes for a new and exciting listening experience.
The source material drawn from on Paradise is definitely 80s funk and R&B sounds, and it's this source material which makes the PowercuT experience so wondrous. The smooth melodies are taken into a cloud-like dimension where details are smeared into each other, only allowing for specific ideas to be realised whilst the soundscape bends and collapses in upon itself.
This allows for some absolutely mind blowing experiences, such as the incredibly lush 'Morning Swim'. The unintelligible vocal refrain is completely hypnotising in it's repetition and the music seems to coalesce into an innate hook that sparkles through the slow motion haziness. This is exactly the kind of piece I could happily have on repeat for tens of times to fully appreciate it's sublime brilliance.
'Paradise' is full of sax heavy pieces that continually arouse the listener's curiosity with their sensual tones that intimate to moments that are wistfully presented yet felt deeply. PowercuT uses some exceptionally long loops for the vaporwave style and keeps much of their soul intact, rarely erasing their original personality. In doing so all the pieces on Paradise have an immediacy to them which is then manipulated into dreamier states but always remaining true.
The PowercuT sound, and the vaporwave genre in general, may not be for everyone but this EP is a very good introduction to this genre, right down to his retelling of M-Town Vice's 'Fear Of 90s' track. There is something about this style that I really love, and if you're new to this kind of music you could do far worse than to take a trip to Paradise with PowercuT. His grasp of how to make his samples take on new life yet remain wholly relevant is a joy to listen to.
Peter Robinson - Midnight Prophet
First up is a beautiful new two track EP from the creative imagination of Peter Robinson. His previous EP Theme From Manta Ray (reviewed on Synthetix.FM here) displayed his talent for fabricating gentle and picturesque synth journeys. In his latest release those journeys continue, into new spaces and times.
The titular 'Midnight Prophet' begins the proceedings and the tender melodies begin in earnest, dancing and flickering in beautifully organic way. Sounds are light and breezy, the muted percussion complements these delicately orchestrated synthscapes which entrance and charm. It's this serenely cast palette of aural delight which really personifies the Peter Robinson sound.
The B side to Midnight Prophet is the equally divine 'Lost In A Dream'. Adding some more esoteric progressions and keeping the synths formed from aural gossamer itself allows for a story to be told that brings a vivid surrealism to the elements. I love the way the bassline holds the track together while synth melodies and details form their own imaginative realities, borne from a colourful subconscious and allowed to bend their own identities into fantastical new forms.
This is wonderfully crafted EP which deserves your attention and imagination, let Peter Robinson guide you through his dreams crafted as music soon and often.
PowercuT - Paradise
Even though the soundscape provides a huge differential between PowercuT and Peter Robinson there is a common tie that binds these two releases in that their both cut from the cloth of a hazy dream time, although from a very different place.
PowercuT is a producer whom works in the field of loops and reimaginings of vintage tracks, thereby adding new flavours and personalities to them. One of my favourite artists in the field is Laserdisc Visions, who's work I've been an ardent follower of over the years. The PowercuT style is a different brand of vaporwave however, and makes for a new and exciting listening experience.
The source material drawn from on Paradise is definitely 80s funk and R&B sounds, and it's this source material which makes the PowercuT experience so wondrous. The smooth melodies are taken into a cloud-like dimension where details are smeared into each other, only allowing for specific ideas to be realised whilst the soundscape bends and collapses in upon itself.
This allows for some absolutely mind blowing experiences, such as the incredibly lush 'Morning Swim'. The unintelligible vocal refrain is completely hypnotising in it's repetition and the music seems to coalesce into an innate hook that sparkles through the slow motion haziness. This is exactly the kind of piece I could happily have on repeat for tens of times to fully appreciate it's sublime brilliance.
'Paradise' is full of sax heavy pieces that continually arouse the listener's curiosity with their sensual tones that intimate to moments that are wistfully presented yet felt deeply. PowercuT uses some exceptionally long loops for the vaporwave style and keeps much of their soul intact, rarely erasing their original personality. In doing so all the pieces on Paradise have an immediacy to them which is then manipulated into dreamier states but always remaining true.
The PowercuT sound, and the vaporwave genre in general, may not be for everyone but this EP is a very good introduction to this genre, right down to his retelling of M-Town Vice's 'Fear Of 90s' track. There is something about this style that I really love, and if you're new to this kind of music you could do far worse than to take a trip to Paradise with PowercuT. His grasp of how to make his samples take on new life yet remain wholly relevant is a joy to listen to.
Saturday, May 25, 2013
Synthetix Weekend Update
It's that time once again, the time to look back at the most rockin singles, previews and teasers released through the last seven days in the 80s inspired synth scene in another gargantuan Weekend Update on Synthetix.FM!
The Astral Stereo Project has been on my radar for quite a while now, in no small part to him being supported a great deal on Project Friday Radio. This latest track is a tad more dramatic than his pop style fare and as an instrumental works the melodies and ideas in a very engrossing way.
A producer who continually impresses me with the growth within his music is Electric Disection. In 'Sweeping Airwaves' he really pushes the simplicity of sounds to magnify the melody's weight. The sounds are presented with very authentic personality that I greatly enjoy.
Project: Walker by Julian Anderson added a new experience to the thematic this week with a piece called 'City Runner'. The project is a Blade Runner inspired story that is making chapters of music for each set piece. 'City Runner' is a slow synth burn which builds beautifully, the instruments are layered to perfection and I must give a special mention to the sublime bassline that holds the soundscape together. Currently available for FREE download.
A producers who's really nailing the disco/space synth/soundtrack/prog vibe is Achim Bloch with his killer new track 'Time In Space'. The sounds, progressions and production are all totally on point as this piece takes you in esoteric realms of dimensionless travel. A marvellously well orchestrated experience and also currently available for FREE download.
Time for some new rockers on the scene and the duo of The Boy & Sister Alma. Their latest track 'Lizard Eyes' is a beautifully lush synth pop serenade. Elements of 90s indie electronic lace the edges of the experience, but inside beats a heart full of 80s love. The chorus in this song is absolutely stunning and guitars introduced in the latter are truly inspirational, be sure to grab your copy while it's currently up for FREE download.
The eminently rockin Professor Zonic Zynth is back with another stellar piece of 80s inspired synth called 'Sonic Boom'. This apparently Top Gun inspired track is packed with action, drama and emotion with classic 80s soundtrack synth. There is so many stories in this track, so densely arranged that is positively overflowing with glorious 80s wonder.
Based on their previous history, I don't expect 'Drifter' to be around for long before Dance With The Dead take it off soundcloud, but for those lucky enough to read this while it's up (and hopefully it does stay up for longer than recent tracks they've shared) you're in for a stunningly emotive experience. Winding things back to a much sparser soundscape 'Drifter' finds this duo adding some incredibly beautifully vocal elements to their sound. 'Drifter' is both vastly epic and soulfully intimate at the same time.
PH Groove is back with a new homage to Alan Vega's seminal work with a new track 'The Calling'. Going under the genre of '80s Punk Dance' that's pretty much exactly how I'd describe it. The sounds are warped and modern in approach, but the 80s vibe rocks this track in totally rad way. Currently available for FREE download.
Alpha Boy is back with a new album to be released on the 3rd of June called 'Future Man'. This preview gives us a brief look at what's in store, and definitely contains some new territory for this producer. Based on his last few singles and how he's pushed the Alpha Boy sound into new directions I'm going to be very interested to see where this full length takes us.
Delivering frenetic 80s energies in every conceivable way is Elsewhen with their slightly ChipTune edged high energy synth odysseys. This track entitled 'Zenith' would be well at home on the soundtrack release of any of the games from the Thunderforce series of shooters, who's soundtracks I hold in very high regard. Many thanks to Jon 'Grooveworthy' Mussell for introducing me to Elsewhen.
On a similarly 16Bit kick is Strange Aeons and his new work of b-grade inspired horror cinema 'I Was A Teenage Slime Sucker'. The personality of this track is rather quirky with it's instrumentations but the melodic work and stories alluded to in the arrangements are genuinely entertaining and the ending is fantastic. Currently available for FREE download.
80s synth scene icon LA Dreams shared a very interesting new experience during this past week which shows some new sides to his many facets. 'We're Not Human' is one of his most introspective and chilled tracks yet. The pace is slow and laboured with melodies that prove insightful and illuminating.
Incredibly beautiful work, with sublime key changes and perfect arrangements.
Transcend shared something rather beautiful this week in 'Hazel Eyes'. Tinged with classic 80s synth romance and flavoured with a bright and colourful soundscape this track is a joy to behold. The arrangements are much more modern, but one can't help but feel those smooth 80s sounds giving this experience all it's magic. Currently available for FREE download too.
Next up is a short teaser for the new MegaDrive record 'Hardwired'. Even though this teaser is almost a teaser of a teaser in it's brevity it does allude to exciting new soundscapes from MegaDrive. With a release date set for the 4th of June we don't have to wait long for more hot rockin action.
It's been about a month since we last heard from Rain Sword with his exceptional track 'Drift Away' and he's now returned with totally rad new track 'Slick'. The music is full of Rain Sword 80s magic, but theres also some housey/nu disco even balearic vibes I'm getting which provides for some interesting soundscapes indeed. Definitely a rockin good time, and currently available for FREE download.
rf.extreme has really been perfecting his craft of late and his new track 'Topped 6th' takes him to even greater realms of synth possibilities. The music is very tightly controlled but still allowed to create a very tactile presence. The use of cleaner natural keyboard sounds add even more tonal qualities. The ending seems to meander a tad and the abrupt finish probably means it's in a currently unfinished state, but even still it rocks super hard.
Synthficionado Highway Superstar shared a totally rad new track going by the name of 'The Chase' this week that takes him back to the East in a ninja synth epic. Full of adventure and shadowed denizens of assassination this packs a punch you'll be feeling for weeks. The narrative is a web of deceit and betrayal, played against a moonlit backdrop of flashing blades. Superbly arranged from beginning to end.
Our final highlight for the week is new experience from the enigmatic Dr Pecco. I'm definitely a fan of his exploitation cinema fuelled synthscapes and with his new piece 'Our Hearts, The Stallions' we're finding the good doctor experimenting in some brighter and happier sounds. The music is very upbeat and full of colourful melodies. I'll be reviewing Dr Pecco's new 'Crystal Eyes, Diamond Tails' next week on Synthetix.FM, but make sure you grab this single for FREE download in the mean time.
That does us for another Weekend Update on Synthetix.FM. I hope you've found some rockin new tunes to make your weekend glow in the most radical shades of neon and I look forward to sharing more new music with you next week. 'Til then stay 80s and keep on rockin.
The Astral Stereo Project has been on my radar for quite a while now, in no small part to him being supported a great deal on Project Friday Radio. This latest track is a tad more dramatic than his pop style fare and as an instrumental works the melodies and ideas in a very engrossing way.
A producer who continually impresses me with the growth within his music is Electric Disection. In 'Sweeping Airwaves' he really pushes the simplicity of sounds to magnify the melody's weight. The sounds are presented with very authentic personality that I greatly enjoy.
Project: Walker by Julian Anderson added a new experience to the thematic this week with a piece called 'City Runner'. The project is a Blade Runner inspired story that is making chapters of music for each set piece. 'City Runner' is a slow synth burn which builds beautifully, the instruments are layered to perfection and I must give a special mention to the sublime bassline that holds the soundscape together. Currently available for FREE download.
A producers who's really nailing the disco/space synth/soundtrack/prog vibe is Achim Bloch with his killer new track 'Time In Space'. The sounds, progressions and production are all totally on point as this piece takes you in esoteric realms of dimensionless travel. A marvellously well orchestrated experience and also currently available for FREE download.
Time for some new rockers on the scene and the duo of The Boy & Sister Alma. Their latest track 'Lizard Eyes' is a beautifully lush synth pop serenade. Elements of 90s indie electronic lace the edges of the experience, but inside beats a heart full of 80s love. The chorus in this song is absolutely stunning and guitars introduced in the latter are truly inspirational, be sure to grab your copy while it's currently up for FREE download.
The eminently rockin Professor Zonic Zynth is back with another stellar piece of 80s inspired synth called 'Sonic Boom'. This apparently Top Gun inspired track is packed with action, drama and emotion with classic 80s soundtrack synth. There is so many stories in this track, so densely arranged that is positively overflowing with glorious 80s wonder.
Based on their previous history, I don't expect 'Drifter' to be around for long before Dance With The Dead take it off soundcloud, but for those lucky enough to read this while it's up (and hopefully it does stay up for longer than recent tracks they've shared) you're in for a stunningly emotive experience. Winding things back to a much sparser soundscape 'Drifter' finds this duo adding some incredibly beautifully vocal elements to their sound. 'Drifter' is both vastly epic and soulfully intimate at the same time.
PH Groove is back with a new homage to Alan Vega's seminal work with a new track 'The Calling'. Going under the genre of '80s Punk Dance' that's pretty much exactly how I'd describe it. The sounds are warped and modern in approach, but the 80s vibe rocks this track in totally rad way. Currently available for FREE download.
Alpha Boy is back with a new album to be released on the 3rd of June called 'Future Man'. This preview gives us a brief look at what's in store, and definitely contains some new territory for this producer. Based on his last few singles and how he's pushed the Alpha Boy sound into new directions I'm going to be very interested to see where this full length takes us.
Delivering frenetic 80s energies in every conceivable way is Elsewhen with their slightly ChipTune edged high energy synth odysseys. This track entitled 'Zenith' would be well at home on the soundtrack release of any of the games from the Thunderforce series of shooters, who's soundtracks I hold in very high regard. Many thanks to Jon 'Grooveworthy' Mussell for introducing me to Elsewhen.
On a similarly 16Bit kick is Strange Aeons and his new work of b-grade inspired horror cinema 'I Was A Teenage Slime Sucker'. The personality of this track is rather quirky with it's instrumentations but the melodic work and stories alluded to in the arrangements are genuinely entertaining and the ending is fantastic. Currently available for FREE download.
80s synth scene icon LA Dreams shared a very interesting new experience during this past week which shows some new sides to his many facets. 'We're Not Human' is one of his most introspective and chilled tracks yet. The pace is slow and laboured with melodies that prove insightful and illuminating.
Incredibly beautiful work, with sublime key changes and perfect arrangements.
Transcend shared something rather beautiful this week in 'Hazel Eyes'. Tinged with classic 80s synth romance and flavoured with a bright and colourful soundscape this track is a joy to behold. The arrangements are much more modern, but one can't help but feel those smooth 80s sounds giving this experience all it's magic. Currently available for FREE download too.
Next up is a short teaser for the new MegaDrive record 'Hardwired'. Even though this teaser is almost a teaser of a teaser in it's brevity it does allude to exciting new soundscapes from MegaDrive. With a release date set for the 4th of June we don't have to wait long for more hot rockin action.
It's been about a month since we last heard from Rain Sword with his exceptional track 'Drift Away' and he's now returned with totally rad new track 'Slick'. The music is full of Rain Sword 80s magic, but theres also some housey/nu disco even balearic vibes I'm getting which provides for some interesting soundscapes indeed. Definitely a rockin good time, and currently available for FREE download.
rf.extreme has really been perfecting his craft of late and his new track 'Topped 6th' takes him to even greater realms of synth possibilities. The music is very tightly controlled but still allowed to create a very tactile presence. The use of cleaner natural keyboard sounds add even more tonal qualities. The ending seems to meander a tad and the abrupt finish probably means it's in a currently unfinished state, but even still it rocks super hard.
Synthficionado Highway Superstar shared a totally rad new track going by the name of 'The Chase' this week that takes him back to the East in a ninja synth epic. Full of adventure and shadowed denizens of assassination this packs a punch you'll be feeling for weeks. The narrative is a web of deceit and betrayal, played against a moonlit backdrop of flashing blades. Superbly arranged from beginning to end.
Our final highlight for the week is new experience from the enigmatic Dr Pecco. I'm definitely a fan of his exploitation cinema fuelled synthscapes and with his new piece 'Our Hearts, The Stallions' we're finding the good doctor experimenting in some brighter and happier sounds. The music is very upbeat and full of colourful melodies. I'll be reviewing Dr Pecco's new 'Crystal Eyes, Diamond Tails' next week on Synthetix.FM, but make sure you grab this single for FREE download in the mean time.
That does us for another Weekend Update on Synthetix.FM. I hope you've found some rockin new tunes to make your weekend glow in the most radical shades of neon and I look forward to sharing more new music with you next week. 'Til then stay 80s and keep on rockin.
Friday, May 24, 2013
Ogre's Calico Brawn
The inspirations of what drives many producers of 80s inspired synth music are as varied as they are plentiful, however there are numerous sources that are an eternal well. Miami Vice is one of these such eternal inspirations. This single TV show managed to encapsulate almost every single element of 80s-cool, more so than possibly any other TV series. It was a lifestyle show, depicting the diversity of 80s icons, from cop stars to pop stars and everything in between.
When you go back to Miami Vice and re-watch it you begin to notice a great deal more than sports cars and salmon blazers. The way this show was shot and edited, the diverse characters the sheer amount of action and excitement in each episode and the way all this was taken to 'the next level' by it's soundtrack make Miami Vice one of the penultimate exponents of what makes the 80s so wonderful.
I'm sure if you're reading this you're well aware of Jan Hammer's work in Miami Vice's soundtrack. His iconic theme and incidental music are still as visionary as they were originally. One just needs to see how many times Crockett's Theme has been covered in recent times to witness the power of Jan Hammer's music. It's the music that gave the show it's emotion, it's life and it's immortality. The combining of vision and sound had never been so intrinsically linked in a prime time TV show, nor since, and to this day the Miami Vice experience is unlike anything else of similar genre.
This brings us to the latest record from Ogre. Calico Brawn is one producer's take on the Miami Vice experience as a sum of it's elements as opposed to a single fragment. What's achieved across this record is a spectacular range of music that complements the Miami Vice aesthetic to perfection.
Ogre has presented many soundtrack experiences in recent times, often a vast nebulae of synths presented in an epic format. With Calico Brawn Ogre has taken his sound and formed it into the perfect accompaniment to the visuals of Miami Vice. I dare anyone to have an episode of Miami Vice playing, mute the volume, crank up Calico Brawn and deny this serendipitous experience. This is not OutRun flavoured Synthwave, this is soundtrack synth performed and composed with a sublime level of understanding and vision.
The parts of Calico Brawn are segmented ideas, vignettes of action, tension, love and excitement. There are moments when Jan Hammer feels like he's stepping in and taking the reigns, but Ogre wrestles them back with his own stylistic choices and progressions. The familiarity of the instruments used never feel like a cop out or a cheap imitation. All the synths contain a sincerity, or synthcerity as I shall call this from now on.
The fact hardware synths and VHS mastering techniques have been used for this record make the difference as the organic nature of the chords and notes feel true and full of depth. The layering in each piece is peerless as Ogre always makes the melodies speak eloquently, allowing them to be understood clearly, without distraction or feeling like that have to shout to be heard above the cacophony.
This is really what separates the experiences into genuine soundtrack pieces. The stories are so delightfully written and executed that every track is purposeful and self contained. Calico Brawn states it's business in every track openly. You instantly know what's happening visually and the music provides all the dialogue necessary. The heady moments of Miami Vice are presented for your aural pleasure in a most satisfying way from the opening 'Always Outnumbered, Never Outrun' to 'All's Well That Ends Well'.
As pieces can get very episodic in nature, their diversity adds even more intrigue. Hip hop style jams like 'Stay Tuned' and the tangibly David Lynchian 'OJO' keep things fresh and full of details that demand your attention as each act reaches it's climax and takes you onto the next chapter. Throughout the entire record my imagination is kept sharply focused on what's being presented, there are no lapses in Ogre's concentration or passages that exist without purpose.
Calico Brawn is a massive accomplishment for this producer and I believe Ogre has ventured into a territory that he feels very comfortable in that also affords him an opportunity to spread his creative wings ever further.
Ogre presents Calico Brawn on his Bandcamp page here and this release comes with a very, very high recommendation from Synthetix.FM. I love what this records presents and how it so consistently captures my attention and refuses to relinquish it. I encourage every fan of 80s inspired synth music to pick this up as soon as possible and add a slice of Miami Vice to your life in supremely rockin way.
When you go back to Miami Vice and re-watch it you begin to notice a great deal more than sports cars and salmon blazers. The way this show was shot and edited, the diverse characters the sheer amount of action and excitement in each episode and the way all this was taken to 'the next level' by it's soundtrack make Miami Vice one of the penultimate exponents of what makes the 80s so wonderful.
I'm sure if you're reading this you're well aware of Jan Hammer's work in Miami Vice's soundtrack. His iconic theme and incidental music are still as visionary as they were originally. One just needs to see how many times Crockett's Theme has been covered in recent times to witness the power of Jan Hammer's music. It's the music that gave the show it's emotion, it's life and it's immortality. The combining of vision and sound had never been so intrinsically linked in a prime time TV show, nor since, and to this day the Miami Vice experience is unlike anything else of similar genre.
This brings us to the latest record from Ogre. Calico Brawn is one producer's take on the Miami Vice experience as a sum of it's elements as opposed to a single fragment. What's achieved across this record is a spectacular range of music that complements the Miami Vice aesthetic to perfection.
Ogre has presented many soundtrack experiences in recent times, often a vast nebulae of synths presented in an epic format. With Calico Brawn Ogre has taken his sound and formed it into the perfect accompaniment to the visuals of Miami Vice. I dare anyone to have an episode of Miami Vice playing, mute the volume, crank up Calico Brawn and deny this serendipitous experience. This is not OutRun flavoured Synthwave, this is soundtrack synth performed and composed with a sublime level of understanding and vision.
The parts of Calico Brawn are segmented ideas, vignettes of action, tension, love and excitement. There are moments when Jan Hammer feels like he's stepping in and taking the reigns, but Ogre wrestles them back with his own stylistic choices and progressions. The familiarity of the instruments used never feel like a cop out or a cheap imitation. All the synths contain a sincerity, or synthcerity as I shall call this from now on.
The fact hardware synths and VHS mastering techniques have been used for this record make the difference as the organic nature of the chords and notes feel true and full of depth. The layering in each piece is peerless as Ogre always makes the melodies speak eloquently, allowing them to be understood clearly, without distraction or feeling like that have to shout to be heard above the cacophony.
This is really what separates the experiences into genuine soundtrack pieces. The stories are so delightfully written and executed that every track is purposeful and self contained. Calico Brawn states it's business in every track openly. You instantly know what's happening visually and the music provides all the dialogue necessary. The heady moments of Miami Vice are presented for your aural pleasure in a most satisfying way from the opening 'Always Outnumbered, Never Outrun' to 'All's Well That Ends Well'.
As pieces can get very episodic in nature, their diversity adds even more intrigue. Hip hop style jams like 'Stay Tuned' and the tangibly David Lynchian 'OJO' keep things fresh and full of details that demand your attention as each act reaches it's climax and takes you onto the next chapter. Throughout the entire record my imagination is kept sharply focused on what's being presented, there are no lapses in Ogre's concentration or passages that exist without purpose.
Calico Brawn is a massive accomplishment for this producer and I believe Ogre has ventured into a territory that he feels very comfortable in that also affords him an opportunity to spread his creative wings ever further.
Ogre presents Calico Brawn on his Bandcamp page here and this release comes with a very, very high recommendation from Synthetix.FM. I love what this records presents and how it so consistently captures my attention and refuses to relinquish it. I encourage every fan of 80s inspired synth music to pick this up as soon as possible and add a slice of Miami Vice to your life in supremely rockin way.
Wednesday, May 22, 2013
Join Le Matos
There are few groups in the 80s inspired synth scene with as much excitement around them as Le Matos. For the last couple of years a new Le Matos single shared on soundcloud was a red-letter-day as their grasp of classically styled synth music with their modern nuances created and intoxicating combination. Fervent adoration followed each successive single release as their styles matured and formed and now with their first full length record we finally get to see the full Le Matos picture and also the chance to appreciate what these producers are capable of.
The sound of Le Matos is not what I'd describe as authentically written 80s synth, however it is most definitely a large aspect of the productions. It's hard to put my finger on but there is something very Chemical Brothers like in their craftsmanship. Along with influences from a plethora of electronic music eras and this gives the Le Matos experience a different energy that really combines many worlds into one new one.
The soundscape is very progressive with many nods to turn to late 90s techno sounds and more recent French house motifs but the recurrent 80s elements combine things into a spectacular new experience that is consistently of a very high quality.
Join Us is the name of the record and I wholeheartedly offer myself to the Le Matos movement.
As a full length experience this album works like a futuristic soundtrack that dabbles in many genres but always remains focussed. The opening chapters definitely lend themselves to the late 90s UK electronic sound with melodic layers of 80s synths to add a more emotional dimension. This is very prominent in tracks like 'Interceptor' which crosses decades of sounds with each step. As Le Matos are a genuine band there are obviously many minds and influences are work in their music and I believe this is what gives them such a multidimensional appeal.
The soundscapes are very diverse in their make ups and executions, experiences are rarely revisited and instead Le Matos choose to forge new paths, fuelled by the past but looking to the future. The modern house soundscapes are windswept by swirling synths that provide a great deal of detail and give a delicate tonality to the often unsympathetic marching percussion. It's this percussion and the extra layers of drama conveyed through the crashing of cymbals and drums, evidenced wonderfully succinctly in 'Overdog', that annunciate Le Matos in a manner that is impossible to ignore.
Tracks in Join Us haven been arranged with touches of deft genius. The powerhouse smash '58 Minutes Pour Vivre', which I personally have played many, many times over the last year is now given it's place amongst the newer stories and it fits in with absolute perfection. In fact, this new album version of this track allows the narrative to achieve a far more expansive context with the compositions either side of it. This rings true throughout the album and familiar experiences are all of sudden brand new in their album form.
The Le Matos sound is often epic in nature, with rises and falls that speak volumes and intimate ideas the are singularly enrapturing but when placed into a longer experience take on a new dimension that means so much more. Some music lends itself more to singles and EPs, encapsulating ideas and keeping the focal point concentrated, this kind of experience in a long form can sometimes dilute that focus and invite unevenness to the soundscape. I now realise the Le Matos style was designed for this extended format as it feels like the album is one story of many chapters.
The instruments used keep the presentation so wondrously epigrammatic, imbibing pristine clarity to the ideas of each movement. One of the high spots is the collaborative piece with Electric Youth. 'Light Again' is hypnotising electronica that harkens to the dance floor and the highway with a haunting vocal accented by glowing details whose trails echo organically.
The album's darker pieces also excite with their powerful refrains and frenetic drum patterns. Even though tracks like 'The Stuff' and the totally rockin 'Sarah' are made of more shadowy parts there is always a lightness in the atmosphere that adds counterpoint and prevents chapters from falling entirely into a void. The drama is always apparent when it needs to be but it never drowns out the hope of the yearning melodies.
By the albums end an air of contentment is palpable. The journey has been full of excitement and enlightenment, taking the lessons of the old and tempering it with the sounds of the new to make something spectacularly accessible but also vastly deep. Nothing on this record feels unexplored or unfinished, the completeness of Join Us is one of it's most wonderful features and even though it's not obviously advertised it does work as a concept album or soundtrack magnificently well.
Join Us is thus far one of the best crossover albums I'm yet to hear. I can hear, see and feel so many different ages of electronic music in it's parts yet the balance is always perfect with each composition taking it's ideal place and it's own cues from the present and the past. Much like the now classic Temporarity album from Michael Cassette this record feels timeless and an entity unto itself. I look forward to revisiting this album many, many times in the coming years and allowing Le Matos to take me into their wonderful world where time is irrelevant and music is eternal.
Girlfriend Records presents Le Matos's Join Us album on their Bandcamp page here. This record is definitely a Synthetix Reference Experience and I hope it's record that you add not only your library but also your life and that in years to come you come back to this album as something still as special and fresh as it is today.
The sound of Le Matos is not what I'd describe as authentically written 80s synth, however it is most definitely a large aspect of the productions. It's hard to put my finger on but there is something very Chemical Brothers like in their craftsmanship. Along with influences from a plethora of electronic music eras and this gives the Le Matos experience a different energy that really combines many worlds into one new one.
The soundscape is very progressive with many nods to turn to late 90s techno sounds and more recent French house motifs but the recurrent 80s elements combine things into a spectacular new experience that is consistently of a very high quality.
Join Us is the name of the record and I wholeheartedly offer myself to the Le Matos movement.
As a full length experience this album works like a futuristic soundtrack that dabbles in many genres but always remains focussed. The opening chapters definitely lend themselves to the late 90s UK electronic sound with melodic layers of 80s synths to add a more emotional dimension. This is very prominent in tracks like 'Interceptor' which crosses decades of sounds with each step. As Le Matos are a genuine band there are obviously many minds and influences are work in their music and I believe this is what gives them such a multidimensional appeal.
The soundscapes are very diverse in their make ups and executions, experiences are rarely revisited and instead Le Matos choose to forge new paths, fuelled by the past but looking to the future. The modern house soundscapes are windswept by swirling synths that provide a great deal of detail and give a delicate tonality to the often unsympathetic marching percussion. It's this percussion and the extra layers of drama conveyed through the crashing of cymbals and drums, evidenced wonderfully succinctly in 'Overdog', that annunciate Le Matos in a manner that is impossible to ignore.
Tracks in Join Us haven been arranged with touches of deft genius. The powerhouse smash '58 Minutes Pour Vivre', which I personally have played many, many times over the last year is now given it's place amongst the newer stories and it fits in with absolute perfection. In fact, this new album version of this track allows the narrative to achieve a far more expansive context with the compositions either side of it. This rings true throughout the album and familiar experiences are all of sudden brand new in their album form.
The Le Matos sound is often epic in nature, with rises and falls that speak volumes and intimate ideas the are singularly enrapturing but when placed into a longer experience take on a new dimension that means so much more. Some music lends itself more to singles and EPs, encapsulating ideas and keeping the focal point concentrated, this kind of experience in a long form can sometimes dilute that focus and invite unevenness to the soundscape. I now realise the Le Matos style was designed for this extended format as it feels like the album is one story of many chapters.
The instruments used keep the presentation so wondrously epigrammatic, imbibing pristine clarity to the ideas of each movement. One of the high spots is the collaborative piece with Electric Youth. 'Light Again' is hypnotising electronica that harkens to the dance floor and the highway with a haunting vocal accented by glowing details whose trails echo organically.
The album's darker pieces also excite with their powerful refrains and frenetic drum patterns. Even though tracks like 'The Stuff' and the totally rockin 'Sarah' are made of more shadowy parts there is always a lightness in the atmosphere that adds counterpoint and prevents chapters from falling entirely into a void. The drama is always apparent when it needs to be but it never drowns out the hope of the yearning melodies.
By the albums end an air of contentment is palpable. The journey has been full of excitement and enlightenment, taking the lessons of the old and tempering it with the sounds of the new to make something spectacularly accessible but also vastly deep. Nothing on this record feels unexplored or unfinished, the completeness of Join Us is one of it's most wonderful features and even though it's not obviously advertised it does work as a concept album or soundtrack magnificently well.
Join Us is thus far one of the best crossover albums I'm yet to hear. I can hear, see and feel so many different ages of electronic music in it's parts yet the balance is always perfect with each composition taking it's ideal place and it's own cues from the present and the past. Much like the now classic Temporarity album from Michael Cassette this record feels timeless and an entity unto itself. I look forward to revisiting this album many, many times in the coming years and allowing Le Matos to take me into their wonderful world where time is irrelevant and music is eternal.
Girlfriend Records presents Le Matos's Join Us album on their Bandcamp page here. This record is definitely a Synthetix Reference Experience and I hope it's record that you add not only your library but also your life and that in years to come you come back to this album as something still as special and fresh as it is today.
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